Dance of Death, by H. Holbein & W. Hollar

This volume presents Dance of Death, a series of design by German artist Hans Holbein the Younger, later engraved by Wenceslaus Hollar. This book contains 30 plates, together with a fold-out plate depicting the Dance Macabre, illustrating one of humanity’s most universal and enduring subjects: Death. Each image is accompanied by a short English description of the plate that presents Death's enduring presence in human life. From Pope to Ploughman, regardless of wealth, status, age, or position, Death is one certainty that unites us all.

The idea of the Dance of Death was not invented by Holbein. The theme had circulated throughout Europe since the Middle Ages, traditionally depicting Death dancing alongside people from all walks of life. Holbein’s interpretation, however, is strikingly different. He largely removes the sense of movement and celebration associated with the traditional dance, replacing it with scenes of grim stillness and inevitability. His figures appear caught in moments of confrontation with Death, creating an atmosphere that feels surprisingly modern and perhaps closer to many of our own perceptions of mortality.

This edition was published in 1804 in London, printed by C. Whittingham for John Harding, 36, St. James Street. The volume is leather-bound, with a subtle marbled effect to the front and rear boards. The spine, is dyed a lighter yellow and decorated with gilt and brown tooling. The elegant appearance of the binding creates a fascinating contrast with the sombre subject matter of the book.

Inside are 30 plates, each depicting Death personified as it intrudes upon human life. The book contains a frontispiece portrait of Hans Holbein. In addition, towards the end of the volume is a fold-out plate depicting the Dance Macabre.

The volume shows moderate foxing and some discolouration to the pages throughout. Despite this, the text and illustrations remain clear and fully legible. The binding remains secure and tight and the book, overall, is in good condition. Inside the front cover is an ex-libris bookplate belonging to F.J. Sandy, indicating that the book was once a part of his personal library. A bookseller's stamp is also present, belonging to H. Setchell & Son. This firm was a notable bookseller, associated with theatre, print and literary trade during the Georgian and Victorian period.

This book is being sold for £350.

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